Always torn between two passions à priori contradictory: the pleasure of the instrumental sound and the pleasure
of the electro-acoustic sound, these diptyques allows me to consicilate these two ways of exploration.
Each diptyque is composed by a virtual instrument work and an electro-acoustic work taking this piece
as "sound material". The two pieces are not necessarily proposed in this order.
The Diptyque n°1 is based on « Variations pour 8 La », a work for piano and delays.
The Diptyque n°2 takes his source from a study for virtual orchestra composed for butoh dance.
The Diptyque n°3 is based on a small study for virtual quatuor (piano, violin, cello and clarinet).